is no stranger to the music business. Born on June 4, 1972, she landed her first gig at age five, when she opened for the Hawaiian entertainer
. Two years later, a young
fans in Chile. The burgeoning singer was a natural talent, and her childhood gigs paved the way for a fruitful career.
Costa went back and forth between Los Angeles and Europe, enjoying her youth while molding a sophisticated music career. She made her studio debut in 1981 with a recording of "(Out Here) On My Own," a song from the musical Fame, and watched as the 45rpm record climbed to the top of the European charts. She released several albums throughout Europe, Israel, Central and South America, most of them going platinum. Whirlwind success, however, was matched by her exciting life at home, as Costa
spent time in her father's recording studio alongside luminaries like Quincy Jones
, Sly Stone
, and Sammy Davis, Jr.Nikka Costa
's late teens were spent atop the German charts, and by the time she reached her mid-twenties, she called Australia home. She became a favorite in the Outback, landing a deal with Mushroom Records and issuing Butterfly Rocket
in the mid-'90s. The album help garner Costa
a nomination for "Best New Artist" at the annual Australian Recording Industry Awards.
The new millennium sparked a new scene for Nikka Costa
. Now a mature woman with a fiery spark of determination and passion, the red-headed siren's songwriting expanded into an alluring art, and her urban vocals sashayed with class and raw sexiness. She soon signed with the Aussie label Cheeba Sound, home to soon-to-be labelmate D'Angelo
. The sultry single "Like a Feather" marked Costa
's almost ignored debut in fall 2000 when the cut was used in a Tommy Hilfiger advert. Virgin Records took notice, however, and properly re-introduced Nikka Costa
to the world in spring 2001 with the full-length release of Everybody Got Their Something
. She returned in May of 2005 with Can'tneverdidnothin'
and supported the album by touring with one of its guest stars, Lenny Kravitz
. Pebble to a Pearl
followed in 2008, furthering her synthesis of funk, soul, and contemporary R&B.